The pieces of bricks engraved in our cultural memory — the Shaanxi channel — people.com.cn-yvette yates

By admin. Filed in Home Products & Services  |  
TOP del.icio.us digg

The pieces of bricks engraved in our cultural memory — the Shaanxi channel — people.com.cn original title: that piece of brick engraved in our cultural memory in a week in the past, public opinion on the field of the most hotly debated, than the Liaoning Suizhong small estuary section of the "wild the Great Wall" has not been properly protected problem. Some good people even moved Meng Jiangnu out, and thought that if Meng Jiangnu saw the repair of the problem of the Great Wall, may cry again. Speak more words, the legendary Meng Jiangnu sea is located in Suizhong county. The Great Wall is wild, but its historical and cultural memory is very rich. According to the popular view of venture capitalists, this section of the Great Wall is a super IP. As commentators, before the truth is unknown, involved in disputes is undoubtedly hasty. Around the the Great Wall in the repair process whether to use cement, the program is reasonable, has experienced several reversal. To some extent, this news has shifted from the professional analysis of cultural relics protection to the discussion of news reversal. Let’s leave a little bit of a dispute and see the consensus of events – almost everyone doesn’t deny the way the repair works. The Great Wall was built to look new, but most people were unhappy". What does that mean? It shows that the public’s understanding of cultural relics protection is strengthened, and the public’s aesthetic ability of history and culture is improved. Now, any cultural relic protection project, if after the restoration of "shine", visitors may be the first to. Looking at the new "ancient architecture"? Hengdian Zhejiang film city may be a better choice. A little earlier, the work of a beautiful mural artist spread on the internet. Netizens sought out beautiful mural artists, not only because she was beautiful, but also because she was engaged in a beautiful job. Just imagine how lucky it is to be able to repair the cultural collection that our nation has left behind! So when the news reversal, the mural is referred to as "interns", and more professionals to analyze the problem of mural restoration, the vane of public opinion will be reversed to the other side. This also shows that from the perspective of a public understanding of culture has deepened, the glossy appearance of the culture may fool people for a while, but eventually escape a man of taste "fayan". At the beginning of 2016 one of the most popular documentary, not Chinese loved by the people of the "tongue" in the Imperial Palace I repair cultural relics but from the wall deep in the "". This documentary to subvert the people’s existing knowledge, cultural relics repair is not dull and boring, can also be very cool, and even a legend. We can also see that there are not only "teacher Fu", but also many young people in the cultural relics. These young people may have better opportunities for development, but willingly stay in the palace, and the cultural cause of love has inseparable relationship. According to old Beijing, it’s a decent job"! While traveling, the Chinese people are not satisfied with the one-way presentation of historical culture and scenic spots, but also hope to experience the beauty of culture, and then interact with culture. For example, in a certain site, people not only want to see the ruins now, but also to see how archaeology is carried out, what is the cultural relics

那块城砖上铭刻着我们的文化记忆–陕西频道–人民网 原标题:那块城砖上铭刻着我们的文化记忆   在即将过去的一星期,舆论场上争论最激烈的,莫过于辽宁绥中小河口的一段“野长城”有没有得到妥善保护的问题。有好事者甚至把孟姜女搬了出来,认为如果孟姜女看到了这段修缮存在问题的长城,可能会再哭一场。话多说一句,传说中的孟姜女投海处就在绥中县。长城虽野,但是它所承载的历史文化记忆却很丰富。按照现在创投界流行的说法,这段长城就是一个超级IP。   作为评论人,在真相未明之前,卷入纷争无疑是草率的。围绕长城在修缮过程中究竟有没有用水泥、程序是否合理的问题,已经历几度反转。从某种程度上看,这则新闻如今已从文物保护的专业分析,转向了人们对新闻反转的讨论。   让我们稍稍离开一下纷争,看清事件的共识面――几乎所有人都不否认现在的修复方式有失美观。长城被修得看上去很新,但是大多数人都“不高兴”。这说明了一个什么问题?说明公众对文物保护的理解力加强了,公众对历史文化的审美能力提升了。现如今,任何一处文保工程,要是在修复后“熠熠生辉”,游客可能第一个不愿意。要看新的“古建筑”?浙江横店影视城可能是更好的选择。   稍早时候,一位美女壁画师的工作照在网上流传。网友追捧美女壁画师,不只是因为她是美女,更因为她从事的工作很美。试想,能够亲手修复我们这个民族留下来的文化典藏,该是多大的幸运啊!所以,当新闻反转,壁画师被指为“实习生”,更有专业人士分析壁画修复存在问题时,舆论的风向标就倒向了另一边。这也从一个角度说明,公众对文化的理解已经加深,外表光鲜的文化也许可以糊弄人一阵子,但是终究逃不过有审美能力的人的“法眼”。   2016年年初最火的一部纪录片,不是中国人民喜闻乐见的“舌尖”,而是来自高墙深院里的《我在故宫修文物》。这部纪录片颠覆了人们的既有认知,修文物不是枯燥和乏味的,也可以很酷炫,甚至有传奇色彩。我们也可以看到,修文物的不光有“老师傅”,也有许多年轻人。这些年轻人可能会有更好的发展机会,却心甘情愿地留在“宫里”,与对文化事业的热爱有着分不开的关系。按照老北京的说法,这份工作很“体面”!   在旅行时,中国人已不满足于对历史文化、名胜古迹的单向度呈现,而更希望能够真切地体验文化之美,进而与文化开展互动。比如,在某一处遗迹现场,人们不光要看遗迹现在怎么样,还要看考古是怎么进行的,文物是怎么从地底下取出来然后接受修复的。中国人对文化追根问底的意识也越来越强了,很多人看到了一件龙袍,不是问龙袍值多少钱,而是问龙袍是用什么材料制作的,花费了多少人力与时间……   这种变化,一方面反映了人们文化鉴赏力的提升,在另一方面也给文物保护带来了挑战。比如,一些人现在爬长城,不愿意爬八达岭那种修复完善、设施齐全的长城,而更乐意爬“野长城”。“野长城”原汁原味,可谓每一块城砖上都带有历史的印记,但是它也更脆弱。文物安全、环境安全和人身安全是这一类体验式欣赏的隐患。对于这种审美意识的变化,应给予有意识的引导和满足。我们可以看到很多文化遗产丰富的国家,只要保护方法妥当,人们可以跟文物有更亲密接触的机会,文物的呈现也更原生态,而不必把所有文物放在保险柜里、防弹玻璃后面。   1948年冬天的某天夜晚,北平已是兵临城下,两位解放军代表到城外的清华园拜访梁思成,让他在军用地图上标出需要保护的古建筑,这让梁思成大为感动。多年以后,北京的明清古城墙被毁时,梁思成夫妇又抚砖痛哭。正是前辈对历史遗产保护“锱铢必较”的精神,才让我们今天还能看到那么多文化景观。在当年,坚守可能是一种孤独,而现在,坚守则是常识和底线。对辽宁绥中的“野长城”是如此,对更多在公众视野之外的历史遗迹也是如此。王钟的 (责编:李静、王丽)相关的主题文章:

Comments are closed.